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In challenging times like this, we don’t just need basic necessities such as food and water – but also good old Filipino movies to keep us in good spirits. Movie houses offering their films online for free in light of the COVID-19 pandemic tells us the importance of the arts more than ever. The film has been free on Iflix since Dec 2019, but in case you need a reflective break from the endless rabbit hole of debates of your social media feeds right now and haven’t yet watched this film, now is the perfect time for you to stream it.įree Filipino movies this quarantine season Tagalog anime full episodes, Anime tagalog dubbed list, Watch tagalog anime online. It stars real-life journalist Atom Araullo, playing the role of journalist Jake Herrera who has to confront the privilege of his political family that is able to shape people’s opinions. It stars Louise Abuel as Edward, Ella Cruz as Agnes, and Dido de la Paz as Mario.Ĭitizen Jake might be the film that echoes how netizens are passing non-stop political commentaries online about the government’s handling of COVID-19. Edward poses reflective questions to the challenges our healthcare system faces, through the story of a teenage boy who comes of age in a public hospital where he is left to take care of his ailing father. Watch it if you want to empathize with the character who’s stuck at home just like you are, or when you seriously want to expand your dose of psychological thriller films.įree on Iflix since February, the film Edward will soon become a fitting reminder of the times we are living in now. Exploring the limits of sanity in a film-within-a-film, Bliss is a psychological thriller starring Iza Calzado as the actress Jane Ciego who descends into madness while being trapped inside her home after she was left crippled in a film production. Category:Characters | Five Nights at Freddy's World Wikia įandom Apps Take your favorite fandoms with you and never miss a beat.NiGHTS(also referred to NiGHTS: the Movie, NiGHTS into Dreams MOViE and NiGHTS MOViE) is an upcoming 2020 Puppers, full name Puppers Nights, is an adult male dog. White Nights is een dramafilm over ballet uit 1985, opgenomen in Finland onder regie van Taylor Hackford. Xangle is an enemy in FNaF World: Halloween Edition. Five Nights At Freddy's (2014) - Freddy Fazbear - Bonnie the Bunny - Chica the Chicken - The Cupcake - Foxy the Pirate Fox - Golden Freddy - Endoskeleton - Back Room Heads - Michael Schmidt - Phone Guy Five Nights At Freddy's 2 (2014) - Toy Freddy Fazbear - Toy Bonnie the Bunny - Toy Chica the. Oh no, The animatronics are here and want to catch you Get this ADD-ON and recreate and enjoy them in your own creations. I did a thread like this a while back, but I decided to just revamp the whole thing, so here we are. Five Nights at Freddys 2 Animatronics Add-on. The Absolute Definitive List of All FNAF Characters.FNaF World: Halloween Edition | Five Nights at Freddy's įNaF World: Halloween Edition is a troll game for FNaF World, which was released on October 28, 2015.On the same day, a "hacker" by the name of "lolz_hax" (in which it was actually Scott Cawthon), "hacked" the site with a message claiming he had gotten the files for FNaF World and would release it that night.Later, the site was updated with a link to a GameJolt page with the. When in Device manager when I click to choose to look for hardware changes I get nothing. It doesn’t show in Device manager or my computer. Meaning it doesn’t show any new Hardware recognition or that even possibly an external hardware device has been connected. When I connect my phone via USB on the side port of the Surface 2, it doesn’t respond at all. but that’s a whole other story.Īlso I wanted to ask, because I thought about using the phones built in USB tether option as well. Which I know I would exceed, plus I don’t believe in paying for data twice. My carrier (although I have unlimited data) only allows like a 5 GB or 10GB add on Hot Spot feature. Other than calling and adding the Wi-Fi Hotspot feature from my provider on to my plan. I plan to try it again when I get home, but though I would come here to see what options I have, or if someone has found a work around with this. So I am not sure if it worked last night because my phone was simply sharing its Wi-Fi connection to my home network and now that it is on the phones network it won’t share it. So then I went into the connection itself and it shows the Surface is sending just fine, but its receiving is staying at "0".Īfter playing around with this for an hour, and thinking what would have changed from last night to today and it dawned on me that even though the Surface was not connected to Wi-Fi my phone was. It shows that the Bluetooth connection is there, and I checked desktop and the Bluetooth Network connection was showing connected internet in the System Tray. So I went back into the network connections. If it doesn’t work Connection status will show disconnected, but it did not show that. I also pay attention to the bottom of the screen where it shows the phone icon and then shows Connection Status. Clicked connect and it shows the little Bluetooth pop-up showing connecting, and then successfully connected. Then chose connect using and Access Point was back again. No problem, I simply removed it and re-paired it while the tether was enabled. I came into work today and I went in and chose the phone to connect using access point and the connect using option had changed to direct connection and didn’t work. Now like I said, I thought I had fool proofed it and it was going to work. Anyways, it was working I was ecstatic and was finally set on not taking it back to Best But. Also before anyone asks why I don’t just use the home network, I do, I just was setting up for being able to use the Surface 2 while on the go. I had turned off the Wi-Fi on the Surface 2 to ensure it wasn’t on my home network for connection. and viola I was able to connect to the internet! Now I thought I had fool proofed this. Choose Bluetooth network, which brings up the phone. So, I enable it and then go to the network connections. However, if I have the Bluetooth tethering enable on the phone and then pair the phone with the Surface(Have to remove device and re-pair with phone) it will show the connect using option of "Access Point" First is that if I do not have Bluetooth tethering enabled and I pair the phone up, when I go into devices and choose connect using it shows "Direct Connect" and doesn’t work. Now it must be advised I have noticed 2 things about paring my phone with the Surface. When I was about to give up all hope, I thought I would just use the Bluetooth Tether option that is built into the phones OS (Kit Kat Android 4.4). So I was trying to just get the Bluetooth tether to work without the other side applications that these 2 apps normally work with. Now on the Surface 2 there is no PDANet available for it, and I cannot install the EasyTether Pro executable on it either (Windows RT). exe file I can install and it recognizes the phone as a modem and allows connection. I am able to use the EasyTether Pro on my laptop as a USB tethered connection because EasyTether Pro has an. The problem is the FoxFi works on my other 7"tablet because I am able to use an application on that device called PDANet Tablet. I can use FoxFi for Bluetooth tethers and I can use EasyTether Pro for USB tethering. Both apps have been successful in being able to connect my phone to another device for internet connection. I have a Samsung Note 3 and on the phone I have FoxFi and EasyTether Pro. I was able to connect it last night, but think I know why. I am in need of being able to connect my new Surface 2 through a phone connection. More precisely it has one drive knob and a quantizer, which can run in different modes and qualities. Just like Krush it combines different distortion modes with high and low-pass filters. It’s meant to process “audio to give it a low fidelity sound”. This one is a free bit quantizer, waveshaper & filter plugin made by Tadashi Suginomori from HY-Plugins. It’s available for both Windows and Mac in VST, AU and AAX format so really everyone can get their hands on this. It further comes with 2 filters and an LFO that can be used to modulate every parameter. A bitcrusher, a downsampler and an analog drive knob. Tritik’s Krush is an effect plugin with 3 different distortion types. The sound either fits your production or not. The cool part about Labs is that it comes with only a handful of parameters so you won’t spend 10 years trying to get everything perfect. Most of these instruments are rather unique and therefore a nice addition to the basic instruments libraries you probably already own. There are several extensions available, including pianos, brass, choirs and synths. Labs is a free software instrument made by the London based sound design company Spitfire Audio. A must have for every lofi producer if you ask me. What I love the most is that you can adjust the year of your “recording”. Since the freeware only comes with a handful of parameters it’s easy to use and setting it up won’t take much time. iZotope VinylĪs the name suggests, iZotope’s “Vinyl” is a plugin emulating the characteristic imperfections of vinyl records. If you’re using Ableton however, you can get your download HERE. Unfortunately, it’s only available for Ableton Live users, so if you’re using another DAW you have to pick some of the other options in this list. It comes with 8 macros allowing you to decrease the bandwidth, add vinyl crackles, detune and distort the source sound. The “LoFi Rack” is a free Ableton Rack based on Live’s stock plugins. The freeware in this list can easily compete with some of the paid stuff I’ll mention later on. That said, you don’t always have to spend money to get some quality software. I want to start this list with a bunch of free lofi VSTs, because I know that a lot of producers are one a budget, especially when they’re still going to school (or music is their only income lol). Here are some of the best options: Free LoFi Plugins Luckily there are plenty of cool lofi plugins available so you don’t have to actually own an old tape machine. Once you have a selection of cool sounds & samples you can further refine your music to sound like it was recorded a few decades ago. It would however be easier to just get your hands on a decent LoFi House or Hip Hop sample pack. You could, for example, sample old vinyl records or buy an old drum machine. So if you want to produce lofi music it’s important to pick the right sounds and samples from the start. Although we have all the tools we need to produce extremely clean and precise music without any unwanted artefacts there’s something about the imperfections of analog recording equipment that triggers certain emotions in us. The default setting, Film Standard, is recommended for all use cases.ĭRC RF mode: Use this pop-up menu to set the dynamic range compression-processing mode for RF devices (TV sets, cable set top boxes, or other devices that have RF connections). Properties are enabled or disabled based on the channel layout you choose.ĭRC line mode: Use this pop-up menu to set the dynamic range compression-processing mode. Lo/Ro center, Lo/Ro surround, Lt/Rt center, Lt/Rt surround (for surround sound output): Use these pop-up menus to set the decibel level at which the surround and center channels are downmixed. Important: The LFE signal may be discarded by the Dolby Digital downmix process. Stereo downmix: Use this pop-up menu to set how to downmix a surround signal to a stereo signal. Surround Encoded: Tells the playback device that the bitstream was encoded in Dolby Digital Surround EX. Not Encoded: Tells the playback device that the bitstream was not encoded in Dolby Digital Surround EX. Not Indicated: Does not send the playback device information about whether the bitstream was encoded in Dolby Digital Surround EX. Surround EX Mode: When using a 5.1 (L R C LFE Ls Rs), 5.0 (L R C Ls Rs), 4.1 (L R LFE Ls Rs), or 4.0 (L R Ls Rs) layout, this property tells the playback device whether the audio has been encoded in Dolby Digital Surround EX. Surround Encoded: Tells the playback device that the bitstream contains information encoded in Dolby Surround. Not Encoded: Tells the playback device that the bitstream contains information not encoded in Dolby Surround. Not Indicated: Does not send the playback device information about whether the bitstream was encoded in Dolby Surround. Surround mode: When using a Mono or Stereo (L R) channel layout, this property tells the playback device whether the two-channel encoded bitstream contains a Dolby Surround (Lt/Rt) program that requires Dolby Pro Logic decoding. For Dolby Digital Plus encoding, a rate of 192 kbps is recommended.īit stream mode: Use this pop-up menu to define the audio service contained within the Dolby Digital or Dolby Digital Plus bitstream. For Dolby Digital 5.1 encoding, a rate of 384 kbps is recommended. Tip: For stereo encoding, rates of 192 kbps and 224 kbps are typical and will produce good results. For example, if you add a 10-second source file with a frame rate of 24 fps to Compressor, set the “Frame rate” property in the Video inspector to 25 fps, and then select “So source frames play at 25 fps” in the General inspector, the resulting duration of the transcoded clip (at 25 fps) will be 9 seconds and 15 frames.įor more information, see Retime video and audio using Compressor. This property has no effect unless the “Frame rate” value in the Video inspector is different from the source file’s frame rate. So source frames play at fps: Nondestructively changes the playback speed of the clip without discarding frames or creating new frames. Enter a timecode duration in the field or click the arrows to increase or decrease the time. Enter a value in the percentage field or choose a preset value from the adjacent pop-up menu (with a down arrow). Set to percent of source using: Modifies the output clip’s speed by a percentage of the source clip’s speed. Sets the processing algorithm used to adjust the frame rate during transcoding.
“With MultiVersus we are creating a distinct competitive game that allows us to combine a deep roster of celebrated WarnerMedia franchises for gamers to enjoy,” said David Haddad, President, Warner Bros. 1 clashes and a 4-player free-for-all mode where only one fighter can come out on top. MultiVersus will also include intense 1 vs. MultiVersus will come with fun filled multiplayer bouts which are set against the backdrop of various reimagined environments from awe-inspiring worlds, such as Batman’s Batcave, Jake and Finn’s Tree Fort and many others. From Wonder Woman and her Lasso of Truth attack being unexpectedly paired with Shaggy and his sandwich projectile, to Arya Stark’s face-swapping ability being used to complement Superman’s laser vision, the impossible can become possible through surprising team combinations and matchups. This allows combatants to boast customizable movesets that combine dynamically with other characters as they battle for supremacy. It’ll feature matches with a strong emphasis on online cooperative gameplay, as every fighter will be outfitted with a deep set of combat mechanics that distinguish the game’s fresh take on 2 vs. These will include Batman, Superman, Wonder Woman and Harley Quinn (DC Super Heroes & DC Super-Villains) Shaggy (Scooby-Doo) Bugs Bunny (Looney Tunes) Arya Stark (Game of Thrones) Tom and Jerry (Tom and Jerry) Jake the Dog and Finn the Human (Adventure Time) Steven Universe and Garnet (Steven Universe) an extraordinary original creature named Reindog and many more to come. MultiVersus will showcase a variety of beloved heroes and personalities to team up with or compete against in epic battles. The films in this franchise are, in order: Despite being based on a straight-horror, ultimately the movies owe more to Indiana Jones than anything else, making for effective light entertainment. Instead of being straight horror, it was more of an action-adventure with a dash of comedy-not unlike the Indiana Jones or Tomb Raider style of action movies. The first movie was a loose remake of the original film. The combination of cinematography, great acting, and an intriguing story came together to create one of the most underrated of the Universal monsters, and remains the best film adaptation of The Mummy to date.The Mummy Trilogy is a trilogy of movies that features mummies. Due to Freund’s directorial work on The Mummy, the film evokes an eerie atmosphere of dread which holds up to modern standards and is still effective despite being shot in black-and-white. He also served as an unofficial director for the 1931 film, Dracula he was left to shoot the cinematography almost completely on his own, thanks to a highly unorganized production. Related: The Mummy Franchise Timeline: When All The Movies Take Placeįreund’s two biggest official directorial roles were in his credited horror films, The Mummy (1932) and Mad Love (1935). Freund was known to wear the camera on his stomach and walk around or put the camera on a cart that moves along a track or a crane for overhead shots. This technique was the first time the camera was capable of moving around on the set instead of remaining stationary on a tripod. A German director known for innovations in the field of cinematography, Freund is perhaps most well-known for the invention of the unchained camera technique. The Mummy also owes a debt to the work of director and legendary cinematographer Karl Freund. Boris Karloff wore makeup to help make him look more like a living mummy, but otherwise the effects were achieved with simple camera tricks. The downfall of many modern horror movies is bad CGI, and the 1990s reboot of The Mummy is one of the biggest offenders. His performance is a big part of what makes The Mummy the success that it is he lures the audience in, whether he’s acting as the mummy, as Imhotep the sorcerer, or as Imhotep’s false identity, Ardeth Bay. Unlike in the reboots, The Mummy pulled off its terror with practical effects. Cast as the leading role, Karloff brings a quiet strength and imposing silhouette to the character, making him believably enchanting and terrifying in equal measure. One of the biggest reasons that The Mummy was such a success is the legendary acting technique of horror icon, Boris Karloff. This short story served as the basis for The Mummy. Schayer then collaborated with writer Nina Wilcox Putnam, who wrote a nine page short story about a 3,000-year-old magician who survives by injecting nitrates. Balsamoand was known for his expertise in a variety of occult arts he also showed up in the MCU as the mentor of Doctor Doom. However, when Schayer was unable to find a novel to use as a basis for the story, he did some digging. In his research, Schayer learned about Alessandro Cagliostro, the alias of renowned occultist and conman Giuseppe Balsamoand. commissioned story editor Richard Schayer to find a literary novel to form the basis for an Egyptian-themed horror film. With other Universal classic monster movies like Dracula and Frankenstein seeing success in the theatres, producer Carl Laemmle Jr. Why The Mummy Still Holds Up After Nearly A Century While many modern movie goers may be reluctant to delve into the world of black-and-white horror classics, Boris Karloff’s 1932 The Mummy still stands up as the best depiction of the Universal monster-here's why. The Mummy was remade in 1999 in a series of three films starring Brendan Fraser, and once more in 2017 as the first movie in the Dark Universe series, starring Tom Cruise. Related: How Universal's Classic Monsters Created Crossover & Multi-Verse Movies Raised accidentally by the reading of an ancient scroll, the priest, Imhotep, sets about trying to resurrect his long-lost love once again, leaving destruction in his wake. In its original iteration, The Mummy stars legendary horror actor Boris Karloff in the titular role of an ancient Egyptian priest murdered thousands of years ago for committing sacrilege in trying to bring back his forbidden love from the dead. With some of these films being highly rated and others meeting heavy criticism, Karl Freund’s 1932 film still holds up as one of the best cinematic depictions of the mummy. First debuted in 1932 as part of the Universal Horror series, The Mummy has spawned a beloved movie series following a variety of different adventurers as those involved traverse the ancient pyramids of Egypt, fight centuries-old evil, and discover buried treasure. The Ultimate edition brings the effects count up to over 2000, offers an unlimited number of editing tracks and includes seven premium Red Giant plug-ins as well as a good ol’ green screen sheet. Along with all the tools available in the base edition of the product, the Plus version also includes advanced HD/3D editing features, over 1800 effects, 24-track editing, simultaneous source and timeline viewing, Blu-ray disc authoring, and Dolby Digital 5.1 Surround Sound mixing. There’s also an iPad app for the product, currently free in the iTunes store.Īll versions of the software require Windows Vista SP2, Windows 7 or Windows 8, and a 64-bit OS is recommended – especially if you plan on taking advantage of the stereoscopic 3D capabilities. Upgrade pricing is available for the Plus and Ultimate versions if you’re already a registered user of Pinnacle Studio 9 or higher, Avid Studio, Liquid Edition v.6 or Avid Liquid 7. The suggested retail prices for the line are $59.95, $99.95 and $129.95 for the standard, Plus and Ultimate editions, respectively. All of my screenshots in this article come from the Ultimate version, for the most part. In addition to the basic standard version, Plus and Ultimate editions of Pinnacle Studio are available. I generally tend to talk about these aspects of a product toward the end of a review, but since version 16 includes some fairly significant rebranding and regrouping efforts, I think it makes sense to discuss those first.
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